Lifar biography

Ukrainians in the world. Serge Lifar is a legendary choreographer and dancer who revived the French ballet Ukrainians and Ukrainians who changed the world photo: sergelifar. UA talk about Ukrainians and Ukrainians who changed the world - each in their field. The first heroine was the Ukrainian-American designer Varvara Karinskaya, known for his unique scenic costumes for cinema and ballet.

The second hero of our heading is an outstanding choreographer, choreographer and dancer Serge Lifar. His heritage includes many original choreographs, which are still performed on modern ballet scenes, and his contribution to the development of modern ballet art is difficult to overestimate. The family of the future ballet star has Cossack roots. From childhood, he showed interest in art, in particular, in music - the guy visited the piano class at the Kyiv Conservatory, took the classroom lessons and sang in the church choir of the Sofievsky Cathedral.

However, the injury of the hand that Lifar received in the year after the grenade exploded near him, for some time prevented the guy from continuing his classes. However, even after the hand was restored, the stormy events of those times and the difficult financial situation of the family forced Serge to forget about music. However, a new dream appeared on the horizon of the guy - dancing.

The turning point in his life was an acquaintance with Bronislav Nezhinskaya, sister of the famous dancer Vaclav Nezhinsky. Not immediately, but the persistent guy was able to enter the "School of Movements of the Bronislava Nezhinskaya", where the dancers were prepared for the Kyiv opera Theater. Despite the conviction of Nezhinsky that it was too late to start a summer guy to start dancing, Lifar was still able to prove his skills and subsequently become one of the best students of the school.

And a year later, she invited her best students to the troupe, among whom was Serge Lifar. There, for the future ballet star, a new stage began on the path to recognition: he studied with the legendary Italian Enrique Chekometti and other eminent choreographers, selflessly worked on his equipment and constantly improved. At that time, the lifar triumphs in the ballet “Prodigal Son”, “Apollo Musaget” and “Firebird”, receives the high praise of Diaghilev himself and soon turns into the main star of the troupe.

After the death of Sergei Diaghilev, in the year, the summer lifar was proposed to lead the Grand Opera ballet troupe. He gave this theater almost 30 years of his life, during this time restoring the former glory of the French ballet and reforming it, becoming the founder of a new direction in ballet - neoclassicism. Lifar was known for his innovative approach to ballet, different from classical traditions.

He introduced new movements, experimented with music and visual effects, integrating different styles and genres in his performances. His choreography was distinguished by strong emotional expressiveness and deep internal content. Serge collaborated and was friends with many outstanding composers, artists and designers of that time, such as Pablo Picasso, Salvador Dali, Coco Chanel, Mark Shagal and Jean Cocteau, who helped the master in creating exciting ballet performances.

His works were known for their provocative, modern and intellectual approach to art. One of the most famous ballets of that time of the authorship of Serge Lifar was Icarus, which struck critics and spectators with his innovative concept and drama. The accusation and return from the beginning of World War II remained in France and made every effort to maintain the troupe of one of the most famous theaters in the world during the Nazi occupation.

However, after the liberation of Paris in the life and career of Serge, an unexpected turn occurred: the French resistance movement accused the choreographer of collaboration and sentenced to death. Then Lifar was forced to leave France. From for a year, he headed the Monte Carlo Ballet troupe, and after the war and withdrawing the prosecution, Serge returned to his native Grand Opera.

He continued to create innovative ballet performances, collaborated with various ballet companies and theaters in the world. The dance master also became a recognized teacher, teaching young dancers and sharing his rich experience and knowledge. In total, the lifar put more ballet performances in the Grand Opera. In the year, he founded the Institute of Choreography at the Grand Opera, where future ballet stars studied.

After the Theater in the year, Lifara is fired from the theater - this was a blow to the master in love with his job. After completing the work, Lifar tries himself as an artist - the choreographer left behind hundreds of original paintings and drawings. The main plot of the work of the Lifar-artist was, of course, dancing. In addition, Serge collected books, but in the last years of his life he was forced to sell part of his collection, since there was not enough pensions that he received from the Parisian opera.

Part of the Lifar library, according to his will, is stored in Kyiv, in the art department of the Public Library named after Lesia Ukrainians.The last years of his life, Serge Lifar lived in the Swiss Lausanne, where he died in a year. His heritage includes many original choreographs, which still perform on modern ballet scenes, and his contribution to the development of modern ballet art is difficult to overestimate.

Throughout his life, Serge Lifar dreamed of returning to Ukraine, but he managed to visit his homeland only once - in the year. At one time, he abandoned the French passport, answering Charles de Hell like this: "I have never been and will not be a Frenchman, because I am a Ukrainian and my homeland - Ukraine." Until the end of his life, he remained the owner of Nansen’s passport, that is, a person who has no citizenship.

Once, after the dismissal from the Grand Opera, the lifar came to his native theater in the embroidery and said: “I dream of returning to Ukraine. However, unfortunately, no one knows me at home, but in France they forgot. ” However, in the middle of X, they spoke loudly about the famous choreographer and dancer, and continue to speak today.