Spider Biography rapper

White Punk. Photo: Sasha Sugar White Punk. Photo: Sasha Sugar self-abiding romance of a city resident-mutant at altitude-pathological humor, darkness and something about-cloying and sticky-love at first glance Text: Alexander Kondukov “Spider Working, Guy”, with a rolling phrasing of the young Ross Ross reports in one of the new tracks White Punk, and there is no reason not to believe.

One of the most prolific Russian bitmakers has clearly worked as a horse recently and decided to offer at the end of the year a new slide show-16 tracks, oversaturated with images and styles. It is written right like that - with a hard sign. Purifying statements on the topic of smoking “Reasons” and “Sosa” with an incredible line “She gives me her head, as if he teaches me” and just a joint time of “Juries” can be a little lull, but the last third of the disk will reward for patience.

It all starts with “contact”-almost a post-pankovsky number in a number, in the creation of which White Punk was assisted WYRO, and as a result, a couple managed to call the Lyserian American campus dodge in the taste of Pavement-with statements about torn sneakers and the expectation of summer. If the “spider” as an improvisational and slightly minor utterance has problems, then they are in a lyrical hero, and Tsunami tortured by the character, which is tormented by fantasies of the character, has to revive the efforts of foreign Emsi.

The spider biography is completely from the history of the extinct, which leaves a lot of space for hypotheses and speculation. Actually, there are no problems with the hero, he’s just no better than other smoked boys that girls like, who set themselves the goal of walking along the edge of someone else's fate. Outwardly, everything, by the way, is impeccable-the cover of the authorship of Sasha Sugar-the decadent post-punk romantic in the spirit of solemn clowns from the Killing Joke records.

There is a certain internal understatement that sinks in the break -in lyrical keyboards “Kenterville”. As if the next series of the criminal series had ended, and no one presented the Spider strategy.

The ghetto-Hotik on the solo album of White Punk “Vampire” because the semi-irony attitude to the heroes of the songs is the creative constant White Punk, sometimes it is difficult to perceive the texts seriously. Part of the material is the appeal to the museum “Trap” and “Kiss”, where the party of the hero is entrusted to Katerina Kishchuk, who provided the track as a whole, if you figure it out, marketing.

So where is the sweet tears of the kid, breaking through female hearts like paralyzing spider saliva, and where Bravada, in the process of listening, remains to be sorted out. First of all, White Punk is a musician with an excellent music luggage, and only then a poet. Even in terms of reciteres, he has enough several successful lines that can be savored, spoke again, look for additional meanings in them.

That is how the perfect pop poet is born, and not only necessarily in Russian. The Moscow Bronx is also the “Joe's apartment” is fully represented in the “child of Satan”, impregnated with black humor, a mocking parody of the work of vague emo-rapeers. A little more attractive monkeys, more dexterous than a simple spider. And mutations of the characters of the Spider flowing from Uber Black into a smoky entrance, only emphasize this ease in general retraining.