Tatyana Gordon Biography

Chukovsky mother-philology ... O. Article philosopher was the first swallow. After the revolution, official Soviet critics pounced on Chukovsky, and the accusations were made similar: non -circulation. There is irony in the fact that the Chukovsky condemned for emptyness entered philology in the year with an article-manifest on the content and purpose of art. Young Chukovsky claimed that of art, of course, there is a goal and meaning, but it was stipulated that the artist did not always realize them.

In his first work, Chukovsky felt for a thought, which he later developed and deepened his whole life: a writer, absorbed in the search for artistic perfection, may not give himself a complete report in his own views. But these views will be expressed in addition to his will - they will be given “addiction to certain epithets, paths, figures, rhythms, words” is highlighted by Chukovsky.

Therefore, the path to comprehending the ideas and views of the author is attention to the artistic originality of his creations. In this work, an attempt is made to apply Chukovsky’s approach to reading his own texts - having pushed away from the analysis of the syllable of the writer, to characterize his worldview. The diary records of Chukovsky, as well as separate critical articles, were taken as a material for analysis.

Morphonics, syntax, dictionary, tonality first that you notice when reading Chukovsky’s diary is description, picturesqueness. Chukovsky has the very sound, the most grammatical form of the word inform the text of the plasticity: “Twardowski's creamy, with very good, confident movements, in the complete time of excellent maturity” [Chukovsky II,] [1]. The iridescent soloes [l] and [n] draw the physical appearance of Tvardovsky - chubby cheeks, thin soft hair.

The stretching of the epithets, their morphophonet with monotonous as a yawn with vowel instruments on [a], [y], [y] convey the impression of tedious, multi -sized, elaborate scribble. The Dictionary of Chukovsky is giant, the syntax is infinitely flexible. Take an egg, release protein and yolk out of it so that the paint is better to pester, and write a watercolor ”I, 73 - a record of the writer:“ ...

and Evg. Setter ”I, the son of Chukovsky, Nikolai Korneevich, is a newly -made groom. In the diary there is a record of the bride’s mother: “Yesterday, Maria Nikolaevna said with a laugh:“ Poor Kolya, he was so exhausted ” - and this shocked me. Ordinary Babier Triumph: Lingam's complacency. Whoever you want to exhaust ”I, but“ Lingam ”? You read this diary with a dictionary. Chukovsky is in a hurry to record from the fresh traces of events, items, impressions.

The dictionary and syntax of diary notes convey the structure of colloquial speech - with its spontaneity, spontaneity, slang: “I would like to write the article“ The ends of Dickens ”, take all the ends of his novels - and roll their biological, sociological and aesthetic value! I shouted: Ah! Meanwhile, the last entry is made by a summer person. Details of the epithets in the diary, in abundance.

Chukovsky loves to collect them in the longest, long garlands. Record about V. Korolenko: “Caution, moderate, benevolent, deaf” I, a record of the artist Y. Z delicid: “He was at the exhibition of Zionglinsky: black, dimly, short-made, liquid, trepannoye,“ approximately ”I, it happens: the description is finished, the point is set, but, by a mature reflection, Chukovsky adds two or more epithets-otherwise Half a dozen.

Head of the Petrograd branch of the State Publishing House: “Comrade. Ionov: Small, mediocre, lightning -otic, like cholera, shouting, rude ”I, very intelligent, well -read, silent, guiding of all vulgarity” II, Chukovsky hyperbola to match his epithets. They are sweeping, seven -mile. Chukovsky comes to Koktebel. There is Zamyatin.

Portrait of the publisher: “You talk with him a little about money, he takes some drops, grabs the heart, trembles like a dog, puts himself three thermometers, look disgusting! They are found on the pages of the diary at every step and are, as it was on purpose, neither to the village or to the city. The description of the visit to the queen is crowned by the following somewhat unexpected message: "Now I have excitement of carrots." A record of the traces of the lecture of Chukovsky about Leonid Andreev: “...

Damanskaya for some reason with a broken eye very upset me, when she took me aside and said:“ Many are dissatisfied, they say that too evil ... ”” ”I, a year. A record of a trip to Oxford: “S. Konovalov met us without a hat - infinitely cute” I, was lucky for humanity. Chukovsky retained for the story that Damanskaya was with a broken eye, and infinitely cute Konovalov - without a hat.

Small details of Chukovsky likes to enclose in brackets. Visiting Gorky: “Then they reported on the arrival of Serapion brothers, and we went to the dining room. In the dining room they gathered: Shklovsky barefoot, Leva Lunz with Brit. Silers, as we see, serve as a container of various additional information. Kaverin notes the speech characteristics that there is no “public background” in the diary, that Chukovsky was interested in one literature and that his “feigned blindness” [Kaverin 7] was caused by fear.

These statements are not quite fair.Chukovsky’s blindness was by no means mock, but the very real one. In the diary entry on March 9, after the report of Khrushchev, recalling the e years, Chukovsky admits that “in spite of everything, I loved Stalin very much” II, Chukovsky did not realize a report on the scale of the tragedy that befell Russia. But even when he only vaguely distinguishes between the “public background”, the writer of infinitely zones to how he forms, how he sculpts a contemporary of the era.

Researchers indicate the historicity of the diary, its portraiture [Kubaidulov; Kubaidulova; Latypova]. The diary is a chronicle given through portraits of people. Old officials in the Vitsmundi, bending their backs, brought him some kind of signature papers. And he, with the very hands that are used only to Grut Bromsteng, brought his last name. Neither Gogol nor Shchedrin dreamed of anything like this ”I, the offspring of the Soviet nobleman:“ The son of Kamena with a stupid and arrogant face of a hopelessly spoiled Hamenka ”I, serving on a labor shift:“ ...

a large table and behind him are 3 writers, who decisively have nothing to do, are powdering and reprinting ”II,“ the writer of the latest formation yesterday has a writer of the latest formation. We were read by Panteleimon Romanov. I listened for two minutes: “bristles of bayonets”, “sea of ​​heads”. I left ”II, Chukovsky remarkably captures the background of human behavior.

He is a master of the psychological portrait of a marshmallow. He loves his signature terribly, and reaches for paper, as if to sign ”I, visiting Gumilyov:“ Gumilyov loves to call for lunch, for tea, but not because he wants to treat, but because he likes the solemnity of the refinery; He puts the guest in a place of honor, ceremoniously cares for his wife, everything is decorous and blessed, and the plates can be at least empty.

He loves in all overgrown, form, order. It is very cute in him ”I, Chukovsky is highly sensitive, susceptible to sound and build conversational speech. The best pages of the diary convey the human voice. The author’s remarks of Chukovsky those who describe the manner of a person do not know their equal. Visiting Zamyatin: “... I don’t know why, I got to Zamyatin. Dobuzhinsky and Tikhonov sat there.

They met me with a cheerful roar ”I, acquaintance with Alexander Benois's little grandson:“ Benois loves her grandson until rage. Chukovsky collided with a wire in the Soviet office: “I was enraged, but I could not pour my anger, that is, Chukovsky’s ear is sensitive, his speech characteristics are brilliant. A conversation in the tram: “” There is no God!

And the other is gray -haired, outflowing, almost in a whisper: “And I experienced it: there is the Lord God of Almighty” - and looks fiercely at the ceiling ”I, the conversation with the Soviet pilot:“ The pilots desperate - he talked very well about how they flew to the “bat”, “on the straw” and so on. Not prostheses! I am too much scrap for this ”I, Chukovsky honors in the Kremlin:“ I answered their greetings with a stupid speech that immediately showed them that I am an idiot ”II, this is Chukovsky’s favorite song: I am nothing, a literary lift.

Paradoxicality is in life minutes when we are stronger to realize the incomprehensible course of time, the limb of life, there are moments when we are overtaken by a sense of irreality of what is happening. Chukovsky is interested in such complex internal states. He captures them with a reception known with the light hand of Shklovsky as an extraction. After a campaign with the brothers with the literary brothers in the crematorium, Chukovsky writes in his diary that he looked there “at some dead old woman-covered with pussy” I, the effect of elimination is achieved by the fact that the cutting of the usual, stable in the usage is shot down.

The words are conjugated unusually, wildly, and thereby the feeling of confusion is conveyed, tinned in the face of death. Or comes to stay to Chukovsky, a tender beloved mother, whom he had not seen for several years.