Gubin Dmitry Biography

Yuri Hanon during the filming of the television program of Leningrad, one of the three composers ”Yuri Khanin called the union of filmmakers. After music to the films of Alexander Sokurov, “Days of Eclipse” and “Save and Save” it was recognized that Khanin is “one of the three composers who entered the nomination for the year.” I also do not know what the nomination is, but two more entered were a snitch and rowers.

It is no accident that under Brezhnev, passivism as a phenomenon was impossible: the dead in the dead kingdom did not catch the eye. The pronoun “difficult teenager” covered everyone: young professionals, and rebellious non-formals, and our suckers. No one thought it was a stream! The puppets still moved: “How everyone” played the “sea battle” in the last desks of poorly ventilated classes; Merry cutlets were picking with fat spoon; They raised the dust on the courtyard sports ground with torn sneakers.

Often mimicated under a positive hero, a diligent Komsomol. Such is hooliganism, say, two Nikit - Mikhalkov and Theological. Hanon is a hooligan of a different type. He tickles, transforms, embraces and fuses his own life with music, playing with everything and everything and for a long time knowing that the true and opposite of each truth. As noted quite rightly German Hesse.

It is absolutely natural in his escapades, but neither I nor you, alas, are natural, we can’t be natural. What draws between us. So let's, or something, respect those who play in a different account, who can cut their ear - like Van Gogh, or say “a star is burnt, it is one without a bottom” - like Harms. Of course, we knew what we were going to, but still, having received an order, and hiccups.

And we consider it necessary to make the following warning. Ladies and gentlemen! Before you, from our point of view, is not an article, not an essay, but a text that turned out when Hanon for a while replaced the piano by writing. This is a special text for Ikania. Try to understand that there may be such texts, although to explain this, you have to go down from Khanin a few steps down.

But still, it is unlikely that it has a reason to go down. After a year and a half, I was convinced that Khanin is not just an outstanding musical bully, he is an outstanding composer. For example, the Internet has its own principle of uncertainty: working with information, we must choose what is more important to us: quality, speed or volume, because three things are not combined together.

That is why it is stupid to blame Wikipedia for mistakes. Wikipedia provides breadth of coverage due to quality, and cannot be different differently. But on Wikipedia there are articles about Anton Likhomanov, and about Werner Geisenberg, but probably with inaccuracies. At the same time, errors are most likely more about Heisenberg than about Likhomanov.

Just because the article is big about Heisenberg, but about Likhomanov tiny. But, I repeat: on the Internet, either quantity or quality. Their electronic texts should be reference, sparkled with originals. So libraries can help specialists who are more important than quality than quantity. But so far the website of the Russian National Library in this sense is dead - unlike, say, from the website of the US Congress library.

Either European logic, nor European equality before the law, nor the value of Western non -heroic Christianity are not characterized by modern Russian culture. Our culture: "The weak - beat." Western culture: "Blessers beat the weak." Therefore, I am the current separateness of Russian culture from the West A culture - this is all that a person produces, I perceive the minus of the genes as a tragedy.

And the Ministry of Modern Russian Culture - it seems like an occasion for delight. You can’t insert the abstract into the column, but the quote is easily. Once I even suggested that Ivan Zasursky write a review of a book consisting of one quotes for a “private correspondent”. Zasursky fell from the new genre into agitation, but the text never came out. This is easy to understand: the quote misses the context, unlike the abstract.

I go there as a summer resident goes to the veranda: to lie on the couch, read a book, admire the game of sun and pines. There they clap at the end of the performances to break the palm ligaments. They fall in love there. It is not impossible to fall in love there at all. And when Dima Kiselev stomped and stared precisely on Serebrennikov, this was an indicator for me. Kiselev is a smart person with a subtle European taste.

He should like the Gogol Center very much: I have been familiar with Kiselev for a quarter century. And the fact that he was stomped, gives him a smart person who understands: to serve evil - so to the end, recklessly, bending exactly there that you personally like it. If you made a deal on the wing of the temple: you kiss him an ass, and he gives you the whole Telemir like him the scene, he knew how to feel a frame, perhaps Bunuel, when he understood that, now, it was time to run an ostrich through a married bedroom.

And the scenography of Voitsek is remarkable. This is not just a scenography - bodyography, sounding, photography.The first reason is that the infinity of Russian disputes, whether Russia is Europe, is based on a misunderstanding of what Europe is, what is the European foundation. And this idea was formulated in the year of Paul Valerie. Europe is Athens, Rome and Jerusalem. It is precisely these hoops that are connected into a single value whole: Greek logic, Roman law and non -state Western Christianity, in which weakness defeats power and in which there is Hellenic and Jew.

And Le Goff writes about this so passionately and so clearly that in a stupid dispute about Russia and Europe I no longer want to grow. We are not Europe, although we wear a European outfit. Tears should not cause the death of an intellectual, but the death of intelligence, but in the era of obscurantism, it mows people that your medieval plague, and for me my country, from the sea to the sea, is the ringing of plague bells.

There is no more Jacques Le Goff in Europe. There is a reason, as an antidote from the plague, to read his books. And then many things begin to look different. For example, from the point of view of genes, we are just human machines that deliver genes to the place of replication. This technique - a displaced point of view - allows you to look at another at a lot. What would our smartphones, communicators and laptops say, if they had to evaluate, say, stations, airports, train and planes?

Where to light in New Pulkovo? The main convenience is the ability to recharge a laptop or smartphone. And for a long time I have been looking at all new stations and airports, airplanes and trains exclusively from this point of view. And therefore, say, I love the Allegro high -speed train: there is a rosette at each chair. And the beloved by other “sappan” for me is continuous discrimination on wheels: there are sockets only business class.

And in response, he received reproaches in the absence of patriotism and stunted, but not a single advice on where in Pulkovo you can give my laptop to light. It seems that he was not very mistaken: in the world, a loaded battery, which makes it possible to stay in touch at any moment in the world. Is it worth it to be surprised that in societies with gigantic social stratification, even the charging of the battery is perceived as a privilege and not everyone gets?

He came up with, for example, the heading "all crazy from Lera." It was such a storage of sex interview, abundantly illustrated, as it were, on the "polaroid" taken pictures of the ex -wife of the owner of the "hearts" Dmitry Savitsky Lera, who asked the next Tinager star about how often he masturbated and how many years they had fucked for the first time. And Dima Bilan, in response, touchingly talked about sex with two chicks at once, which, according to Bilan, he said: “Let's go, succeed,” well, it rushed.

For example, we had, at the beginning of the number, the “Sex” heading, which was more correct to call “nude”, there were excellent pictures from the albums of the Taschen Publishing House-there was a lot of curious, some kind of age-old pornography, very touching: women in corsets, mustachioed men. But this section of all advertisers introduced into a stupor. Toyota did not want to place advertising in the next strip with a group of pre -revolutionary circuses without panties.

And the first third of the magazine is the most tidbine and the most expensive, and if you want to calculate the commercial potential of the magazine, you can scroll through the first third. Well, I took and moved the heading in the last third of the magazine. Dima Bykov led another section - "This is your ex -girlfriend." It placed a story about an abandoned girl, a strip picture of a girl in a bikini, and in the lower right corner a title “Kusai elbows, such and such!

The first photo of the nitrous was taken from the Internet, and the girls in the bikini were girls from a modeling agency that we did not pay, but who received a picture in the portfolio and eternal glory. The monologues of abandoned girls Bykov composed something like this: “My chilling soul, but a response in thinly organized people, the story began on the collective farm named after the bright path to Guantanamo in the morning of the warm May Day of last year.

Roasts vocally flooded, but, you know, in music a genius and villainy are still combined!